Friday 31 May 2013

This Town


What do they say in movies when they’re in situations like this? There’s like an inner monologue throughout. Huh. Guess it’s a lot like this. Now, what what what what what do I do? It’s dark, dark enough. It’s pitch black. No it’s not, it’s the city. Streetlamps. Everywhere, streetlamps lighting the streets. Where are there no streetlamps? The country. I don’t have a car. No can do. Nonono. Industrial neighbourhood. Streetlamps, but nobody to watch. But the cameras. Just go. Do it. Just do it. I’m in a fucking Nike commercial. Fuck. This is serious, I shouldn’t joke. Shouldn’t joke. Somebody’s going to die. Sooomebody. Here, boy. Soooooooomebody. Here, come here, boy. That would be easy, just to lay out a tarp and strap them down. But I have to go out there. I have to bring my knife. Oh shit, I only have kitchen knives. Shit. Well, there’s the vegetable knife. There’s the cleaver. When did I get the cleaver? I never use that thing. Focus. Fooocus. Be real, is it feasible. Do you want to get caught? Yeah, that’s it. Talk to yourself in the second person. YOU are going to kill somebody. Nono, YOU are going to KILL somebody. Tonight. In this city. In an alley. A fucking alley! Why didn’t I think of that earlier? YOU. Why didn’t YOU think of that earlier. Be detached. Deeetachment. Fooocus. Out the door. Don’t forget the knife. In your jacket. There’s no room in this jacket. Fuuuck I don’t want to use the winter coat, I’ll look like a murderer. YOU’ll look like a murderer. Shit, you will be a murderer. Go for it. Play the part. What do they say? Real killers don’t dress like killers. Nobody says that. Fuck. Ok, right jacket, out the door. It wasn’t raining this afternoon. Better get an umbrella. What the fuck are you saying? Umbrella? No killer uses umbrellas.


MAN FOUND DEAD, UMBRELLA THROUGH NECK

An unidentified man was found dead early this morning at the corner of Mitchell St. and Stroud Ave. The man was found behind a dumpster at 3:30 AM by passersby, walking home from a local bar. The man was pronounced dead at the scene. Doctors say he suffered from multiple stab-wounds and an umbrella lodged into the mouth, and through the trachea.

Inspector Morris, who believes the murder was committed around midnight, has yet to identify a suspect. No fingerprints were found on the umbrella, but Morris believes there to be a second weapon with which the other stab-wounds were inflicted. The weapon has yet to be found.

The victim is suspected to be homeless.


“JIMBO! Wait up, brah!”

James stopped and swayed in the street, squinting at oncoming traffic.

Tim pulled him away as a GARDA van sped past them.

“You’re drunk, man, how you getting home?”

James patted his pockets lazily and said “how bout we walk?”

Tim took a swig of the beer in his hand, and dropped the empty can into a car window left open on the street. He took a moment to laugh at what he’d done.

“Shit, man, okay. But I’m staying over. I’m not paying for a cab this time of night.”

“For sure.”

Tim and James walked their zig-zag pattern through the streets, daring traffic to hit them and women to come home with them. At Truro Street, James stopped to relieve himself on a wall. Tim took this opportunity to try tying James’s shoelaces together, but James lost his balance and kicked him in the face as he stumbled backwards. Both of them were sprawled out on the street.

“Fuck, man,” Tim said.

James looked at his bloody palms. They were covered in loose pavement and blood. Tim had his hand up to his face, blood leaking through his fingers.

“Fuck you, man. That was retarded. What were you trying to do?”

Tim leaned to one side and spat out more blood.

James got up and said, less enthusiastically this time, “Fuck you, man.” Then he offered his hand to Tim and hoisted him up.

“You should get that looked at, man. I think I hit you pretty hard.”

“No shit.”

They walked in silence for the next few blocks, both of them sobering up and resenting the hard, dirty sidewalks and dark, quiet alleyways more and more. The city at night took on a fragile decrepitude, which both of them felt but neither expressed. This was a place friendships could break and people could break and everything was broken and goddamnit there must be something beautiful here. But they just walked, past all of this, Tim clutching his face and James thinking, “Can you get rabies from scraped hands?”

The rain started suddenly, and the smell of wet cement started seeping up out of the cracks, into the air.

“I always feel cleaner after it rains,” offered James.

Tim grunted and spat a wad of blood out. It twisted and turned in the rainwater before being sucked in by the gutter.

“I need to take a piss. Hold on,” Tim said.

James stood on the end of the alley, having given himself the duty of lookout in case someone were to walk by and notice his friend standing next to the dumpster. No one was out, but he felt his duty was a favour to Tim. This would fix what had happened.

“FUCK. FUCKFUCKFUCK WHAT THE FUCK?”

James spun around to see Tim sprinting towards him. Terrified, James started running too. Tim had snapped. He had had enough of pretending he wasn’t mad and was going to kill him. He was going to slam James onto the ground and beat the life out of him. James ran as fast as he could away from his crazed psychopath friend.

“HELP! HEEEEELP!” screamed James. But he knew there was no one to hear him. He had been keeping a lookout.

“FUUUUUUCK!”

“HEEEEEEELP!”

“GODDAMMIT STOP,” yelled Tim

James stopped and turned to Tim, panting, “What was that?”

Tim sat down on the ground, no longer holding his face, dripping blood.

“Some guy.”

James looked confused, “Some guy?”

“Yeah some fucking guy.”

James bent over, put his hands on his knees and laughed. “Oh fuck man I thought you were crazy. I was running away from you. Some dude was there? Doing what?”

Tim cleared his throat of blood and phlegm and spat it out.

“No, man. Some dude was dead.”

James looked up at Tim, who was holding his face again.

“Are you sure he was dead?”

Tim coughed, then said “The dude had a fucking umbrella in his neck, I’m pretty fucking sure.”

James took the flask out of his pocket and slid it to Tim. Tim picked it up, took a swig and spit it out.

“FUCK. That shit burns.”

“Sorry man. I didn’t mean to hurt you.”

Tim sat immobile for a while, letting the rain stream down his neck and face, down his shirt and under his belt. James put his hand on Tim’s back.

“Come on, man. What are we gonna do?”

Tim looked at his blood flowing into a sewer grate.

They’ll find me. They’ll think I killed him. All this DNA at the scene. Fuck, I practically pissed on the guy. Can they tell who you are if you pissed on a man? My blood’s all over the place. What can I do about the blood? It’s raining, it’ll wash away. Maybe if I go buy some bleach. No, there’s no place that sells bleach at this hour. What am I saying? That’s what a killer would do, is bleach this place, destroy the evidence and everything. I’m not a killer. I’m no killer. I didn’t kill a man. Shit, I got kicked in the face tonight when I was trying to play a joke! Cops would buy that, right? I would buy that if I were a cop. I would totally buy that. Then why did you piss on a dude? Fuck. I pissed on a dead dude. I’m gonna go to prison or go to hell or... fuck. You didn’t see him. You didn’t see him until it was too late. It’s dark, it’s an easy mistake to make, isn’t it? The cops won’t see it that way. They’ll see it as desecrating a dead body. You’re basically a necrophile with a piss fetish. Shit, you are scum. You’re in for it now. No you’re not. Leave. That’s right! They don’t have you in that database! Do they have a database? How do cops find people with fingerprints? It must be even easier when you have somebody’s DNA. If they get your DNA. They’ll probably just think that it’s all his blood and they won’t even realize you pissed on a dead guy. It’s raining. It’s raining. Fuck I wish I had an umbrella.

Tim looked up: “Is there a payphone near your place?”


Inspector Morris looked at his clock-radio. 4:17. The phone was ringing. He cringed at his own breath as he sighed and picked up the phone.

“Hello?”

He listened for a while.

“Alright.”

Another while.

“I don’t know. Twen – Thirty minutes.”

He hung up.

The room was dark, like a black velvet curtain had dropped onto the stage. He lifted himself up heavily. His body was weak and it felt like a bag of cement was strung to his neck. After rummaging in his bedside drawer, he found the bottle of cheap brandy he had left and poured himself a tall one. He drank three large gulps before realizing that he had used the glass as an ashtray the night before. He held the brandy in his mouth for a moment, then swallowed it.

He got dressed without turning the lights on: jeans, the cleaner of his two dress shirts, jacket, wallet, badge, keys, phone. Cigarettes. He pulled one out and out it between his lips before stepping out the door and into the tan Plymouth Voyager.

As he pulled into the alley, only the beat cop acknowledged him and pointed him to a spot.

“Can’t ID him, no wallet, no cards, no nothing,” said the beat cop, walking to the van.

“What’s he look like?” asked Morris.

“Not good.”

The beat cop led Morris to the dumpster.

“Christ,” said Morris.

“Yeah, pretty grizzly.”

“No, it’s a goddamn hobo! Why the hell would I get out of bed at 4AM for a hobo who probably got shanked in the neck with an umbrella by another hobo who wanted his motherfucking shopping cart to wheel around three dollars’ worth of cans?”

Morris rubbed his forehead. The headache was only getting worse.

“I gotta radio somebody,” he muttered, turning to his van.

He reached under the driver’s seat and pulled out his son’s sippy cup. He was glad to have filled that instead of the flask. That would have looked too obvious. He put the bendy straw between his lips and sucked on the brandy. It burned his throat, like swallowing a pack of razorblades and a bag of salt, but it would help his headache.

He walked back out to the body

“Take a couple pictures. Write up a report, ‘Male, ID unknown, dead presumed murdered...’”

As he turned around, he saw a Channel 15 news truck pull up. Out spilled the cameraman, as talkative as a bag of wet mice, the sound recordist, whose face cried out for a fist, and the reporter. Her short skirt rode up when she hopped out of the truck. Her legs were smooth and porcelain white. She looked at Morris before tugging her skirt back down.

“Nobody say anything. I got this.”

She made sure the camera was pointed at her, and as soon as she got close, she hollered: “Inspector Morris! Can you tell me what happened here?”

“It’s not very exciting.”

“It’s a murder? Sounds pretty dreary,” she said, smiling.

“Can’t say that yet. You know the rules.”

“Who’s the poor man?”

”We don’t know who he is, yet,” said Morris.

“So it is a he.”

Shit, stupid mistake.

“Can’t confirm or deny it.”

“Is it this man?” she asked, holding up a tiny photograph. He leaned in, squinting. She seemed to pull the photograph further and further away, closer to her face. He saw her lips out of the corner of his eyes. As his gaze turned to her, he saw the cameraman jogging towards the dumpster.

“HEY. YOU’RE NOT ALLOWED IN HERE!” Morris saw that the reporter smile.

After a moment of indecision, the two officers grabbed the cameraman by the armpits and carried him back to the van as he started to vomit, narrowly missing his own camera, which dropped to the pavement, bouncing and rolling back towards the dumpster.

Morris grabbed the reporter’s arm: “You want this? Fine. A man, homeless, dead behind a dumpster. Fuck, I dunno, he must’ve died at midnight.” Morris turned around and walked back to the van. He called out to the officers: “Boys, just file it. It’s same-old.”

He took another sip from the bright orange and green sippy cup as he left and shivered. He felt around for his coat in the back seat and put it on. He reached into the pocket for a cigarette, but he had left them in his other jacket. He swore quietly and wished he’d brought an umbrella.

“I swear this town could kill a man.”

Monday 13 May 2013

Slam

In a way, it's reassuring to see the level of talent of the storytellers. In a way, it makes me feel better about the way I write and the content and the symbols I use. In a way I see myself as a more talented creator.

But I've never told stories. I've written them. I've thought them out. I've found metaphors and similes and turns of phrases. I've picked apart and deconstructed and dissembled reality until I understood it, then pieced it together so it would make sense to me.

But I've never told a story. I've never held in my hand a reality and shown it, like a picked flower, to my friends. I've never told a narrative with any weight or conviction. I have only seen from afar and reported in more words than were needed.

They tell stories. Silly stories, true stories, clear fiction and muddled truth, the now and the then, the flawed and the perfect. It doesn't matter what they tell. Not to them. And as I furrow deeper into the world of story, not to me. It's art, and it holds value because they say it does. And my stories have value if I say they do. And I can write what I think is important and what I think is art, but its value only exists if I am behind what I create.

They create wonderful things and I can hum and haw and poke holes in their delivery and their content and their presumption that anyone would want to hear them. I can prop up a false ego with wisps of superiority, or I can embrace a world carried by the cautions thrown to the wind, a new world of creation and exploration. I can stand still and be sure not to fall or I can run and slam face-first into walls until I find a direction that I love.

So I'm reassured by the level of talent. They are the runners in a race I want to run. They won't drag me from the stands. They won't beg me to run.

But I can run.

And I know I can run well.